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Design Experiment, Guillotine without a line, 10.22.13

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All righty! Everyone form an orderly mob for today’s design experiment: Guillotine without a line of nobles.

Guillotine is a card game by Wizards of the Coast that puts players into the role of competing executioners during the French Revolution trying to get the most notoriety by beheading the most noteworthy people. 12 nobles are lined up each round, and each turn you get to play one action card and then take the noble at the front of the line and add it to your score pile.

Most commonly, action cards will let you rearrange the order of the line to some degree before taking the noble at the front. With planning, you can take exactly the nobles you want while leaving the low & negative point nobles to your hapless opponents. (Of course, said opponents are trying to do the same thing…)

The line of nobles is central to Guillotine. But what if it weren’t there? Here’s a couple possible solutions that might have also worked.

Grid of nobles

Perhaps the nobles for a given round are put into a 3×4 grid. This doesn’t really remove the line, though; it just makes three smaller ones if you could take from the front of any line.

UNLESS! The action card you played also stated a specific column or row you had to take from the front of at the end of your turn. It could create some interesting choices as you could end up affecting lots of rows & columns with a single play.

The downside of such a solution is that any sense of forward planning would disappear. With a line, you know which nobles are likely to be taken next based on the way they’re arranged. If each action card had a different set of rows or columns for a player to take from, it makes a fairly random game even MORE random (not to mention fiddly). It would work, but not necessarily be satisfying. This could be mitigated by each card only allowing to take from the front of a specific column, but then you just have three lines instead of one.

Hand of nobles

Perhaps nobles are cards in hand alongside action cards, where you draw and play one each turn. The action cards would be fundamentally different; there isn’t a line to affect any more. They would instead focus solely on hand and score pile manipulation.

The play feels like it would get stale pretty quick unless other changes were also made to the game. You’d simply play the highest-point noble you had at any given time and try to pawn off the negative-point nobles on other players. Whereas the first alternate was too random, this one is too scripted. And they BOTH lack good player interaction that the original design has.

One possible additional change could be what my cohort calls Knizia scoring (after designer Reiner Knizia for using it in Samurai, Ingenious, and others). In a game with set collection-based scoring, your best set does not count toward your score. Instead either your second highest set (or other sets if there’s just three or four) or your lowest set are your final score. If such a mechanic were mixed with action cards that specifically focused on set size manipulation, that could be fun  while still maintaining the theme.

That’s all for the possible solutions I lined up for ya. How would you tackle this change?

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Written by krinklechip

October 22, 2013 at 5:27 am

Simultaneous Action, 10.16.13

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Quick! Try to stand on one foot, balance an egg on your nose, AND clap your hands. … now that we’ve all failed miserably and made a mess of our computers, lets have a look at simultaneous action in a more controlled fashion.

Simultaneous action can speed up gameplay considerably (or at least make it feel fast).  Whether it’s through phases where actions are taken by everyone or an outright free-for-all, here’s a few ways simultaneous action could be implemented.

Everyone’s turn… ALWAYS.

One way is for it to be always everyone’s turn. A few examples of this are Escape, Brawl, and Icehouse. This format tends to make for frenetic play as everyone rushes to complete the game’s objective first (or together if it’s cooperative.) A game that uses this does well to not have lots of bits everywhere, as players who get into the game may get… enthusiastic… about completing the game.

This form of simultaneous action also usually has a built-in timer of some sort, whether it be a sound track to play the game to (Escape), a component limit (Brawl), or simply a timer set off to the side (Icehouse) to help force players to actually do something instead of waiting out an opponent.

Simultaneous choice, ordered resolution.

Another way to introduce simultaneous action into the game is to break up the actions being resolved into discrete phases. Space Alert and Revolution (or any simultaneous bidding game) do this.

With Space Alert, each player maps out what she intends to do while playing the cards corresponding to the actions on an action track. After a set time, players then resolve the actions for that particular phase and hope something doesn’t go wrong elsewhere on the ship (or that she didn’t play the cards wrong…)

Revolution does it in a similar way, with players deciding how to place their bids at the same time, then resolving the bids in a specific order every time until the game is over. Even though Revolution is about 45 minutes, it doesn’t really feel like it thanks to the quick pacing of the rounds of everyone bidding simultaneously.

Simultaneous action can be tough to implement well (much like trying to drive, read, and eat at the same time), but when done right, it can create a great experience (much UNlike trying to drive, read and eat at the same time).

Written by krinklechip

October 16, 2013 at 10:03 pm

Posted in Concepts, Game Design, Rules

Design Experiment: Forbidden Island without sinking, 10.14.13

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Io there! We’re starting this game design blog back up with look at a game without one of its key mechanics. (We’ve done a few like this before looking at Monopoly without money and Power Grid without power stations.)

Today, we’re lookin’ at Forbidden Island without the island sinking.

A quick primer: Forbidden Island is a cooperative game where players work together to retrieve four artifacts from a sinking island and get everyone off to safety before:

  • A) an artifact is lost,
  • B) someone drowns, or
  • C) the exit is lost.

Each turn, players move about the island helping keep the island afloat while working to gather the four artifacts. Each player has a special ability nobody else has, and the sinking of the island intensifies as the game continues. It’s a fantastic intro co-op; go get it (or its older brother, Forbidden Desert).

One of the main mechanics that drives the action of the game is the fact the island sinks a little bit each turn. This provides the sense of urgency and danger a cooperative game needs. So if we take it out, what might happen? Here’s one possibility:

  1.  No sinking means there isn’t any danger of losing. Without a threat, the cooperative element falls a bit flat. To keep an element of uncertainty and danger, perhaps the game spawns guards each turn that must be dealt with or avoided. One per player could start in play at the beginning of the game.
  2. Guards could be spawned by the flood cards. Instead of the space listed getting flipped over, it either spawns a guard at that location or moves a guard on that space a set number of spaces with hitting an edge wrapping the guard around to the opposite side of the board.
  3. A hit point system could be implemented. You could take being landed on by a guard X times before you’re caught.
  4. Guards could be removed from play by moving into the same space from the side or behind.
  5. As gameplay continues, you would start drawing more than one card to determine guard movement and placement. Eventually, the players would simply be overwhelmed by the guards and be caught.

Still keeps a rough feel of being Forbidden Island, but with a funky twist. How would you work with the change? Let us know in the comments!

 

Written by krinklechip

October 14, 2013 at 7:51 pm

Deck building, 11.22.11

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Io, fellow designers.  Lets shuffle up some possibilities with deck building.

-Here ya go!:  Have your players build each other’s decks.  However, building your opponent’s deck should be more than just throwing trash together so you can stomp them.  That’d be too easy.  Add a couple of twists:

  • Cards in play generate resources for your opponents, with better resource generation tied to stronger cards.  You may want 5 gold on your turn, but it’ll cost ya giving your opponent a good card.
  • Cards with sub-par effects generate lots of resource.  Give your opponent starting resources, or better late-game cards?  Mmmm…. cognitive suffering.

-Working together:  Players build a communal deck to play from.  This could be used in a co-op game, with players pitching in for the greater good while weeding out chaff for other players.  Or, you could have it be competitive.  However, to avoid the free rider problem, cards could be drawn face-up onto the table as the set of resources and actions available for everyone at once.

-Tertiary Deck building:  Deck building doesn’t necessarily have to be the main mechanic, either.  Take Starcraft, for example.  Players build a combat deck and draw from it each combat.  You may have an Ultralisk bearing down on me, but do you have the card to utilize it properly?  Perhaps players are building a resource deck in a game with multiple ingredients.  Or, a riff on worker placement:  I build a deck of how many and what kind of workers I get to place each round, with the cards drawn representing contracts with the workers.

Now that I’ve built the article, lets see what I draw.  …Nothing but Victory Points?!  BLAST!

Keep on designing, yo!

Phil

Written by krinklechip

November 22, 2011 at 9:35 pm

Combat, 9.4.09

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Time to duke it out!  Combat is another staple of many games.  From the dice fest that is Risk to the calculated move/countermove of chess, combat takes many different forms in gaming.  Lets throw down some ways combat can be done…

-Dice.  Combat is determined by opponents rolling dice.  There are many, MANY iterations of this one alone, some of which I covered in my very first article.  Another way dice are used in combat is by placing symbols on combat dice that have different effects/results.  This approach has been popular lately, appearing in titles ranging from Doom to Memoir ’44.  The gist is this:  the dice you roll have different symbols on each face.  Different symbols have different effects on combat, from hitting the opposing force to forcing you to discard an ammo token.  God Dice takes this and turns it on its ear a bit; the symbols on the dice are used to match up different combinations on your character to determine what attack you use that round.

-Cards.  Players use cards with numerical values to determine combat results.  This is another common one.  Typically, each player plays a card and the high card wins the battle (or adds the card’s value to the unit’s base combat value).  Cosmic Encounter is probably one of the best representations of this.  Essentially, a player attacks an opposing planet with 1-4 ships and both attacker and defender play cards from their hand and add it to the number of attacking (or defending) units with high number winning outright.  But what if the cards represented ammunition?  Take a wild west style game where each player had a gun with different ‘stats’; ammo, firepower, accuracy, range, etc.  Each player also has a ‘bullet deck’ that she can draw from to load into her gun.  Each card in the bullet deck would have an shot strength, accuracy modifier and so forth.  Players would either ‘load’ their gun with as many cards equal to her gun’s ammo limit, creating an ‘ammo deck’ and shuffles them up.  Each time they fire, the top card of their ammo deck is flipped over to determine how good the shot is.  Once the ammo deck is empty, that player must reload by taking extra time/actions/etc.

-Capture.  Players determine combat results by moving two pieces onto the same space.  This one is probably among the simplest of all, with the attacker often being the automatic winner; chess utilizes this.  Stratego turns it around a bit by giving each piece a ‘combat ranking’, with higher ranked pieces automatically beating lower ranked pieces and the attacker winning a tie.  You could turn this into a ‘siege’ style mechanic by having capture still work this way, but requiring multiple units to capture a space/opposing unit.  Take a fantasy siege game where units represent armies, siegecraft and supply trains; each unit also has a ‘combat rank’ as in Stratego.  Players are trying to capture X cities from opponents by placing say, between three and five of their units in said opposing cities.  If armies encounter each other outside of cities, a battle ensues much like Stratego, but where combat rank can be altered by card play.  That sounds kind of fun…

Those took the fight out of me; I surrender.

 

Keep on designing, yo!

Phil

Written by krinklechip

September 4, 2009 at 5:51 pm

Tile Laying, 9.3.09

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Tile laying is one of those core mechanics like trade or card drafting.  Surely all possibilities have been laid out, right?  In terms of area control or a modular board, much has already been explored in this mechanic.  Place a tile, maybe place a dood on it to exert influence on it.  Said influence contributes to scoring of that feature at a later point (such as a road being closed off at both ends, as in Carcassonne.)  I’m going to line up a couple of possibilities you may not have thought of…

-Combat.  Players could all be contributing tiles to a communal ‘combat board’ much like the tiles are laid out in Carcassonne, with the features increased/completed granting a bonus to attack or defense (or even a special ability trigger).  The trick for players in this iteration is every tile you place gives other players the opportunity to build off of your placement for more powerful attacks… I loves me some cognitive suffering.  Take a wild west style game where tiles laid out could result in increased accuracy (lining up bullseyes), more shots (lining up ricochet paths from tile to tile) and so forth.  Or players could place tiles onto their own personal ‘combat board’, allowing for massive firepower all over the place.

-Movement.  More for a race or pick up and deliver type of game, tiles would have features that would allow movement, turns, jumps, etc.  Take a robot programming game where the tiles look like a stylized circuit board.  In order to move each turn, players must add a tile to the communal Movement Circuit.  Lining up ‘Speed’ wires from tile to tile would make you move one space per tile with said wires on it.  Add in obstacles that may damage (or worse) your robot, and this can become a risky proposition to keep a particular wire live.  Perhaps you want to turn instead.  Line up a couple of ‘Turn’ transistors and you’re set.  Now if only everyone didn’t keep changing the circuit…

I’d place a few more ideas out, but I just can’t line up those edges… DAMN!

Keep on designing, yo!

Phil

Written by krinklechip

September 3, 2009 at 7:31 pm

Posted in Game Design, Mechanics

Player Elimination, 9.1.09

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And another one gone, and another one gone… ANOTHER ONE BITES THE DUST!!  Player elimination, while not for every game, adds a level of tension and danger when it can be implemented.  Often, you are eliminated when you run out of resources (Monopoly) or out of units (Risk).  That may be great most of the time, but surely we can eliminate them as possibilities while looking at these options…

-Poison.  A player with the most of a given resource ‘Bad To Have’ at the end of the game is eliminated before final scoring.  This is a fun one that is used to good effect by Cleopatra and the Society of Architects.  Players are trying to help build a temple.  Some goods are less expensive, but are considered ‘corrupt’; using them forces you to take corruption tokens.  At the end, most corrupt player is fed to the Crocodile God.  Like in Cleopatra, it is best if the ‘Poison’ resource is kept hidden to add to the level of uncertainty at the end of the game.  You could even take it further by having each corruption counter have a different value…

-Only Faster Than You.  At set intervals, the player with least of ‘X’ is eliminated.  More for shorter games (or rounds with players returning to play next round), this form of elimination encourages frenetic play of attempting to attain what is needed to not be eliminated.  Musical chairs is a good example of this.  Players scramble to find a seat at given intervals with players unable to being eliminated.  Take a survival style game where you are periodically being chased by a bear.  At the end of each chase, the player in last place gets eaten.  Rounds would consist of frantic gathering of food for energy (to help you run faster) and setting up traps for your opponents (to trip them up).  Combine with random round length and you have a good recipe for nervous breakdown…  that is what we want for our players, right?

-Tall Nail Gets Hammered.  The first player to accomplish ‘X’ is eliminated.  Similar to Poison above, the elimination actually happens during play instead.  Take a court intrigue game where players are positioning themselves to inherit the throne once he is assassinated.  In order to position oneself, a player must gain favor (or be given favor by other players) of various chancellors and such.  If one player ends up with favor from most or all of the chancellors, the king gets suspicious and has the player executed for his treachery.  Ooh!  What if instead, it was EACH player that has X occur?  For the example above, that would be even better.  You could frame ALL of your rivals instead of just one…  Struggle of Empires also has this as an endgame elimination possibility.  If your country ends up with too much unrest, the people revolt and dethrone you (and this could happen to multiple players…).

Well, I’ve eliminated the other options already, so it’s time to eliminate this article.

Keep on designing, yo!

Phil

Written by krinklechip

September 1, 2009 at 7:44 pm